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I found it liberating, and think I did better work, as a result of being encouraged to cross disciplinary boundaries in order to draw on the tools most effective in my line of inquiry, rather than being constrained from the start by a particular set of disciplinary assumptions and methodologies.
We are proud of the quality of our student scholarship and academic achievements; Below is a sampling of past student project abstracts. The aim of this thesis is to critically examine the emergence of new forms of collectivity in Canadian independent popular music. An analysis of the major labels and a history of the sensibilities of independent artists establish the habitus of an independent artist at the end of the 's.
The particulars of Toronto's music scene show the organic origins of the band's collectivity to be in process-based composition and performance. Finally, Broken Social Scene's metaphorical self conceptualization reveals the important structuring role the paradoxical affect of love plays for the group.
Broken Social Scene; Canada; Canadian music; independent artists; music industry; music label; political economy; popular culture; Toronto. Media and Culture. A critical review of agenda -setting methodology and the evaluation of a media -centric model. Agenda-setting ranks among the most studied phenomena in communications research.
A factor behind its popularity has been the nature of its research design that incorporates both media content and public opinion in a manner that yields an observable and empirically testable effect.
How media should be conceptualized within the research design has growing importance to the broader study of media effects due to the divergence of media sources and the erosion of mainstream media influence.
The thesis addresses these issues by first conducting a meta-analysis that focuses on the research designs in agenda-setting research published in the last 25 years in major journals. The media-centric model was tested over a five-month period in the Waterloo region of Ontario. The model includes formulas for weighting of media content based on market research and other audience demographic data. The study confirmed the presence of an agenda-setting effect, and also confirmed the importance of proximity of news content and, in particular, the importance of local news media coverage that is often overlooked in agenda-setting research.
The presence of the agenda-setting effect was not significantly strengthened by the application of audience demographic data, but other factors from the model that enhanced proximity of content did indicate significant results, but were qualified by the nature of key news events. The results provide an important contribution to conceptualizing the role of media not only in agenda-setting research designs but also in other areas of study into primary media effects within the context of an expanding universe of mediated sources of news and information.
Communication and the arts; Agenda-setting; Media-centric model; Mass communications. The rationale for the establishment of intellectual property rights - and particularly copyright law- in developing countries is based on two seemingly opposing positions.
Developing countries and their creators recognize the importance of copyright in protecting those cultural industries which they consider vital to national development. Predominantly Western multinationals, however, have pushed developing countries to adopt the principles of TRIPs in order to protect their interests in what they consider to be emerging markets for their goods.
By making appeals to nationalism and romantic concepts of authorship, international copyright law has managed to escape much of the criticism leveled at patent laws which are deemed by many to be inappropriate impositions on developing economies.
A look at international IP agreements through the lens of copyright facilitates a clearer picture of how the consent of developing countries and their citizens is obtained and hegemony secured in this important realm. By the beginning of the twenty-first century in the West, the notion of government-appointed bodies mandated for censoring cinematic content had fallen considerably out of fashion as institutional censorship was largely curtailed. Can we then assume that cinematic censorship is effectively a thing of the past?
Does the impetus to regulate and police film content continue silently to exist? Analysis of controversies surrounding particular films throughout and in the wake of this shift suggests that, dissertation using soft systems by checkland, while no longer practiced explicitly by governmental institutions, film censorship continues to operate through less immediately recognizable forms of cultural marginalization and restraint.
Classification status drastically affects the number of platforms through which a film can be accessed and thus works, as censorship does, to restrict films from audiences. When market demands place external restraints upon film content, familiar processes of cinematic censorship can be reframed as operating within as opposed to upon the institutional structures and practices of cultural production. The main objective will be determining: 1 how the shift from censorship to classification corresponded to the aesthetic strategies of a handful of boundary-pushing films; and 2 how cinematic censorship, in the absence of traditional institutional enforcement, continues to operate in the interactions between alternative networks of disciplinary power and discursive practice.
In this thesis, I explore the frequently overlooked moral dimensions of David Foster Wallace's seminal novel Infinite Jest. I seek to propose, in spite of the commonly cited iconoclasm of the text, dissertation using soft systems by checkland, an alternative reading of it as an old-fashioned bildungsroman concerned with the possibilities of moral and spiritual growth.
In particular, I illuminate the unconventional way Wallace reimagines classic narratives of redemption and salvation under the surface of the novel, and Dissertation using soft systems by checkland develop a framework with which to understand their centrality, dissertation using soft systems by checkland. Furthermore, I address how this belongs to his larger attempts to reconcile many of the traditional thematic concerns of the novel with several of the challenges presented by the postmodern avant-garde.
I argue that, in its efforts to do so, Infinite Jest helped to renew, in many powerful and unexpected ways, the classic story of redemption and offer a profound meditation on many larger ills plaguing society today. bildungsroman; David Foster Wallace; infinite jest; postmodern avant-garde; redemptive dissertation using soft systems by checkland. The project is comprised of a combination of collected materials such as mobile phone and social media images created by Kashmiri civilians and the militants themselves an archive of over imagesas well as my own photographs.
Utilizing this material, the project seeks to challenge simplistic contemporary understandings of militancy in the Islamic world. The project was first exhibited at the Ryerson Student Gallery March 28th-April 8th Technology in Practice. A Dissertation using soft systems by checkland of Print and Computer Based Reading to Measure and Compare Rates of Comprehension and Retention.
Movable type, small pieces of metal cast from an alloy of lead, tin and antimony, assembled into words and lines created pages that were inked then pressed into velum to create the dissertation using soft systems by checkland word. This was the beginning dissertation using soft systems by checkland transmitted information, the mass production and distribution of small portable books. The research portion of the study observes, measures and compares the interpretive strategies that readers use when engaging with the printed page and how they adapt new strategies when reading online.
Print and online stories from The Guardian, The Economist and The New Yorker were coded and used in the study. The study was conducted at Ryerson University.
magazines; news media; online news; print news; reading comprehension; reading processes; reading retention; screen-based media. A tangled web: Public reason, web 2. As web 2. Through case studies of four different websites, this thesis looks at the ways people are using specific web 2. This tangled web challenges propaganda models of communication because it helps turn the measure of public opinion from a push process to a pull process. Under this new paradigm, public reason is found in the interactions between websites and online and offline life, equally as much as it is found within the dialogue on individual sites.
And though these tools provide a voice for the elite to assert their dominance, they also result in a decline of deference to experts, and new ways for citizens to add their voices to public conversation.
Communication and the arts; Social sciences; Social structure; Mass communications Politics and Policy. My project is an exploration of family history, dissertation using soft systems by checkland, cultural identity, the immigrant experience, and autobiography, presented in the form of a cookbook.
This collection of recipes is centred on my mother, Margarita Quintana and the recipes acquired and developed during her life. My paper provides a methodological and theoretical framework for the project.
In the first section, I explain my epistemology, methodology, and research methods. In the second section, I provide an extensive review of the literature surrounding food in relation to identity, culture, gender, and memory.
These readings span across disciplinary boundaries including anthropology, Sociology, cultural studies, and gender studies. anthropology; Canada; Chile; consumer culture; cookbooks; cooking culture; cultural identity; cultural studies; family history food; food culture; gender and sexuality studies; immigrant experience; memory; sociology.
It concludes by presenting the North as a non-place, placeless, a pseudo-place. Abandonware, Commercial Expatriation and Post-Commodity Fan Practice: a Study of the Sega Dreamcraft. This thesis explores the nature of digital gaming platforms once they have been expatriated from the consumer marketplace and have been relegated to obsolescence.
In this state, abandonware becomes a site for creative interventions by active audiences, dissertation using soft systems by checkland, who exploit, hack and modify these consoles in order to accommodate a range of creative practices.
As part of the digital toolkit for fan production, the Sega Dreamcast has become a focal point for fan based video game remix practices, whereby dissertation using soft systems by checkland creators appropriate imagery and iconography from popular media to create new works derivative of these franchises, dissertation using soft systems by checkland.
These fan practices subvert the proprietary protocols of digital platforms, dissertation using soft systems by checkland, re-contextualizing them as devices for creative intervention by practitioners, who distribute their works and the knowledge necessary to produce them, through online communities.
Multimedia, History, Intellectual property, platform studies, fan practices, hacking, modding, abandonware, Sega Dreamcast, videogame studies, dissertation using soft systems by checkland, fan studies, commodity, intellectual property, dissertation using soft systems by checkland, open source, freeware.
This thesis examines the links between national identity, in the context of invader-settler society, and landscape photography. Focusing on Western Canada in the late nineteenth century, dissertation using soft systems by checkland, I analyze the history of photography in relation to landscape and nationalism.
This particular historical period is important as the settlement of the West and subsequent nationalist projects were occurring at the same moment as photographs of the West were beginning to be taken. This context allows for a particular evaluation of the linkages between landscape, photography, visuality, dissertation using soft systems by checkland, colonialism and nation dissertation using soft systems by checkland. Examining the photographs from an aesthetic, psychological, ideological and affective relation with the invader-settler nation, I bring to light the importance of vision and land to a colonial context.
Using an interdisciplinary approach allows me to examine the broad context of the photographs and the larger discourses that they form. As well, I textually analyze each of the six photographs in my corpus, dissertation using soft systems by checkland. The photographic landscapes which I chose as my corpus form a discourse of Canadian nationalism which is overly determined by the concept of wilderness and the subsequent denial of colonialism.
Communication and the arts; Fine arts Media and Culture;Technology in Practice. The photographs from the Abu Ghraib scandal are horrific, but they are also understandable.
Simply put, the Abu Ghraib photos are dissertation using soft systems by checkland compositions that highlight victory over the enemy Other in war. The photos illustrate sexual and racial violence, dissertation using soft systems by checkland, founded upon postcolonial narratives, but this is only a starting point for their significance.
I address how meaning is made for the U. Employing an interdisciplinary approach, this research draws upon war photography; visual culture and communication; sociology of groups and ritual; sociology of emotion; combat histories; memory studies; and online photo sharing practices. Staged to depict the violent conquering of the enemy, I argue that war trophy photography recognizes war efforts through the construction of a visual record, one that reproduces relations of dominance and submission, dissertation using soft systems by checkland.
The conclusion reflects on war trophy photography with the topical consideration of drones, ultimately suggesting that drone warfare photos are expressionless because of the overt absence of people. Acting in the name of culture? The thesis examines the role, efficacy and influence of the five national English-language independent film and television production sector unions in the Canadian broadcasting policy network.
broadcasting policy; Canada; Canadian broadcasting; Canadian content; Canadian unions; English-language films; labour organizations; policy network studies; television; unions. Politics and Policy. Affective News: A Case-Study of the Work of Emotions in News Coverage of the Earthquake in Haiti. The study of affective discourse in the news is critical for understanding how world events become meaningful to audiences, and important in light of the fact that the profession of journalism maintains problematic ideas of the role of emotions in news texts.
Within the ideals of journalism are notions that emotional narratives and affective discourses are secondary, or even degrading, to serious news stories. Other journalistic ideals view emotions as a kind of necessary evil to the selling of news. Lastly, in scholarship around the democratic potential of human. interest or soft news stories typically narrated using emotive languagethere is an idea that soft news stories are only meaningful in so far as they act as a gateway to serious news issues.
These theories of serious news degrade the role that the affects play in news texts. This paper suggests that emotions and the deployment of affective discourse in news texts can be understood as meaningful beyond their work in selling news stories or acting as a gateway dissertation using soft systems by checkland serious issues.
This paper is interested in the ascension of "serious" news, and the way in which emotion in the news became regarded as trivial and unimportant. More specifically, I examine the division between serious, factual, objective news and dramatic, emotional human-interest stories, and their associated classificatory terms "hard" and "soft" news.
What is SOFT SYSTEMS METHODOLOGY? What does SOFT SYSTEMS METHODOLOGY mean?
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